James Patterson returns to the genre that made him famous with a thrilling teen detective series about the mysterious and magnificently wealthy Angel family...and the dark secrets they're keeping from one another.
On the night Malcolm and Maud Angel are murdered, Tandy Angel knows just three things: 1) She was the last person to see her parents alive. 2) The police have no suspects besides Tandy and her three siblings. 3) She can't trust anyone—maybe not even herself. Having grown up under Malcolm and Maud's intense perfectionist demands, no child comes away undamaged. Tandy decides that she will have to clear the family name, but digging deeper into her powerful parents' affairs is a dangerous-and revealing-game. Who knows what the Angels are truly capable of?
If only Caputo could interrogate Robert. You see, Robert sees stuff. He knows stuff. About the Angels. About me.
Such as: He knows about the time I put my foot right through his TV screen.
On purpose. Or so I’m told.
I don’t even remember it. But I know it happened because one day I was the best lacrosse player at All Saints, and the next day I woke up in the hospital with fifty stitches in my foot and leg.
In the hospital, Malcolm’s and Maud’s stern faces had looked at me without sympathy. Maud said she never thought lacrosse was good for me, anyway. (I would never play again.) Malcolm announced that my Big Chop was going to be repairing Robert so that he was as good as new. (My efforts were, sadly, flawed; that’s why Robert only watches static these days.)
And that’s pretty much all they’d told me. You don’t demand answers from Malcolm and Maud.
Hugo was the only one who saw what happened. He said I flew into the apartment in such a rage that he hid behind the Claes Oldenburg sculpture and watched me kick the hell out of Robert, screaming, “They killed her. They killed her!” My foot crashed through Robert’s screen with the force of a wrecking ball, he claims.
How could I do that? I’d need almost superhuman strength. When I asked Matthew, he shrugged and said only: “It’s a piece of art, Tandy. It’s not industrial strength.”
More important, though, was why I would do that. Could I really have been talking about my dead sister, Katherine?
Was I accusing Malcolm and Maud of killing their eldest daughter?
And why don’t I remember it at all?
Copyright © 2012 by James Patterson
Emma Galvin is a recent graduate of the Carnegie Mellon School of Drama. Her films include My Suicidal Sweetheart, A Perfect Fit, and The Big Bad Swim. She has performed in several regional theatre productions including Love Punky, The Power of Birds, and The Realm.