Your best friend
Lindsay Boxer is pregnant at last! But her work doesn't slow for a second. When millionaire Chaz Smith is mercilessly gunned down, she discovers that the murder weapon is linked to the deaths of four of San Francisco's most untouchable criminals. And it was taken from her own department's evidence locker. Anyone could be the killer—even her closest friends.
Or a vicious killer?
Lindsay is called next to the most bizarre crime scene she's ever seen: two bodiless heads elaborately displayed in the garden of a world-famous actor. Another head is unearthed in the garden, and Lindsay realizes that the ground could hide hundreds of victims.
You won't know until the 11th hour
A reporter launches a series of vicious articles about the cases and Lindsay's personal life is laid bare. But this time she has no one to turn to—especially not Joe. 11TH HOUR is the most shocking, most emotional, and most thrilling Women's Murder Club novel ever.
Prologue | Revenge
A GOOD-LOOKING MAN in his forties sat in the back row of the auditorium at the exclusive Morton Academy of Music. He was wearing a blue suit, white shirt, and a snappy striped tie. His features were good, although not remarkable, but behind the blue tint of his glasses, he had very kind brown eyes.
He had come to the recital alone and had a passing thought about his wife and children at home, but then he refocused his attention on someone else’s child.
Her name was Noelle Smith. She was eleven, a cute little girl and a very talented young violinist who had just performed a Bach gavotte with distinction.
Noelle knew she’d done well. She took a deep bow with a flourish, grinning as two hundred parents in the audience clapped and whistled.
As the applause died down, a gray-haired man in the third row popped up from his seat, buttoned his jacket, stepped out into the aisle, and headed toward the lobby.
That man was Chaz Smith, Noelle’s father.
The man in the blue suit waited several seconds, then followed Smith, staying back a few paces, walking along the cream-tiled corridor, then taking a right past the pint-size water fountain and into the short spur of a hallway that ended at the men’s room.
After entering the men’s room, he looked beneath the stalls and saw Chaz Smith’s Italian loafers under the door at the far right. Otherwise, the room was empty. In a minute or two, the room would fill.
The man in the blue suit moved quickly, picking up the large metal trash can next to the sink and placing it so that it blocked the exit.
Then he called out, “Mr. Smith? I’m sorry to disturb you, but it’s about your car.”
“What? Who is that?”
“Your car, Mr. Smith. You left your lights on.”
The man in the blue suit removed his semiauto .22-caliber Ruger from his jacket pocket, screwed on the suppressor. Then he took out a tan-colored plastic bag, the kind you get at the supermarket, and pulled the bag over his gun.
Smith swore. Then the toilet flushed and Smith opened the door. His gray hair was mussed, white powder rimmed his nostrils, and his face showed fierce indignation.
“You’re sure it’s my car?” he said. “My wife will kill me if I’m not back in my seat for the finale.”
“I’m really sorry to do this to your wife and child. Noelle played beautifully.”
Smith looked puzzled—then he knew. He dropped the vial of coke, and his hand dove under his jacket. Too late.
The man in the blue suit lifted his bag-covered gun, pulled the trigger, and shot Chaz Smith twice between the eyes.
Copyright © 2012 by James Patterson
January LaVoy is a New York-based voice, stage, and television actress. She has performed on and Off-Broadway, and appeared extensively in regional theatres across the country. She is best known for her role as Noelle Ortiz on the long-running ABC daytime drama One Life to Live.